Swapping is legal in Canada.
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As has been established, a little bit of copying can be a good thing for exposing new artists. It's when it becomes widespread (such as it is now) that even the smaller artists get nervous about it because it can really make or break their careers. If a multi-million dollar artist can claim losing $100,000 in sales (strictly an arbitrary number), it's no big thing to the bottom line. But for four guys in a van it can be the difference between continuing in music or calling it quits.
Can you show me any numbers at all on how much "four guys in a van" make from album sales? Would even doubling the sales make any noticable difference at all? What about cutting off a huge portion of free advertising, and therefore revenue from concerts and other events?bash wrote:But for four guys in a van it can be the difference between continuing in music or calling it quits.
Heh. No, that sort of income/artist level isn't tracked by Billboard or any other industry group. It's just common sense. At the level I'm talking, these artists' recordings might not even be available at your local record store and are often only sold at the shows, hence no tracking. Doubling sales would make a huge difference, imo, as far as knowing what they can afford as far as tour length, show size, crew, etc. As far as swapping as a source of advertising, I wouldn't know how that would compare regarding lost CD sales vs. increased attendance/t-shirt sales. But the ticket market is a whole different scam industry that artists have to contend with. It varies from gig to gig, promoter to promoter, market to market. At least album sales via download would be a something a band could semi-control the price of and track for the purposes of budgeting for studio time, equipment, living and travel expenses, etc. Most of the stuff you're asking isn't tracked, even by the bands themselves, which is why so many go belly up or end up as indentured servants. Musicians, on a whole, make really lousy businessmen.
i still dont see how file sharing on the internet has any effect on the scale your referring to.
the four guys in a van probably dont have any songs floating around on kazaa, and if they did, how many people would really be searching for them? probably not enough to matter. i don't think anyone but the bigger fish in the pond are effected by file sharing.
the four guys in a van probably dont have any songs floating around on kazaa, and if they did, how many people would really be searching for them? probably not enough to matter. i don't think anyone but the bigger fish in the pond are effected by file sharing.
Well, frankly, we've gotten off track. Fact is, it isn't relative to anything, nor conditional on where an artist is on the ladder to fame or obscurity. Taking an artist's work without compensating them is theft. If people want to delude themselves even so far as to think they are *helping* an artist by taking their work, no amount of statistical or anecdotal evidence is going to convince them otherwise. The moral cement has hardened. As for me, this is probably the first time I've gone so far into thinking about the issue and past posts from me would reveal I was in favor of file-sharing. After this little exploration, however, I've deleted what little I had and don't intend to continue downloading. So, in a way, it hasn't been a complete waste of time.
If by deluding myself you mean buying more CDs and going to more concerts because I was able to download music I wouldn't have even heard of until then, then yes.bash wrote:If people want to delude themselves even so far as to think they are *helping* an artist by taking their work, no amount of statistical or anecdotal evidence is going to convince them otherwise.
The only real deluding I've ever done was buying an album based off one or two halfway decent songs I've heard off the radio. I've gotten burned way too many times for me to do that again.
The fact of the matter is, if I can't download or get the music free from other sources first, I won't even bother considering it. Unless you want me to 'help' the record industry by having me spend my cash on things I probably won't like, it looks like we've come to an impasse.
You're making assumptions again. I don't share my files, except in my private circle of friends.bash wrote:Tetrad, answer me this (and don't fib): What is the size in gigabytes of the copyrighted files you share and what percentage of that was purchased by you?
But if you want to know music, I have about 205 albums on my computer, and about 150 CDs sitting in my corner.
As far as other copyrighted material, keep in mind that most of my anime and TV shows are either not licensed for distribution in the states, or not out on DVD yet.
I will admit that I have downloaded several hundred movies which I don't own. But then again that was more of a collecting phase, as it didn't really bother me at all when a 100 gig drive filled with movies failed on me.
Edit: Granted there is a small difference between CDs I own that I haven't ripped, and CDs I have, but I'm not going to sit here and itemize everything. Besides I have several albums I've download that I can't find on CD. Right now there are at least 3 CDs I want which Amazon doesn't carry.
Edit2: Oh and that 205 number is a bit high, since I forgot I have several albums that are 2 CDs, and I only did a quick folder count.
Heh, and how big is this *private circle*? And are these real-life friends or online friends? Plus I didn't see any breakdown as to how much of what you have that you actually paid for. You have it so obviously you deemed it worthy to keep (ie worthy of purchase). Did you then purchase? If so, how much of what you have did you purchase? btw, the *unable to get in NA* is bs and we both know it. The Internet enables all of us to buy from any country where these things are sold, as long as they ship to the US.
My point here is it's small wonder you are having difficulty understanding the concept of stealing because of the large scale of theft that you are involved in. Folks like you and your *circle of friends* have gone beyond *sampling* to a culture of theft.
My point here is it's small wonder you are having difficulty understanding the concept of stealing because of the large scale of theft that you are involved in. Folks like you and your *circle of friends* have gone beyond *sampling* to a culture of theft.
Culture of theft? That's a new one. I prefer to think of it as smart consumerism. I'll pay what I think it's worth. If it sucks, I won't pay for it. If it's good, I'll buy it.bash wrote:My point here is it's small wonder you are having difficulty understanding the concept of stealing because of the large scale of theft that you are involved in. Folks like you and your *circle of friends* have gone beyond *sampling* to a culture of theft.
But then again I don't really have an issue with harddrive space, so you can't exactly blame me if something I downloaded and didn't buy just sits there untouched for a while.
And I object to your sarcastic tone about my circle of friends. If you have a buddy who wants a copy of a CD you have, do you tell him to piss off and buy it himself?
Heh, try that next time you go eat at a restaurant. *Na, I didn't enjoy it quite as much as I hoped, here's half payment.* Consider for a moment the artists that entertain you. Write them a fan letter and let them know how much you've taken without paying for and let's see the sort of response you get. What do you think they would consider you, a *smart consumer* or a thief?
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bash, you've got to realize that piracy is here to stay. No ammount of laws or penalties is going to bring it to an end. Its been going on for hundreds of years and its not stopping anytime soon. The only way to really combat it is to either:bash wrote:Precisely, Ferno, but that won't solve the issue of unauthorized copying. An arrow won't hit that heel until that is settled. Once artists feel they can protect themselves they will stampede away from the music industry's parasites that have been artificially inflating the cost of music (arguably the biggest rationalization for it's theft). People won't steal when the price is right, imo, or at least not enough of them to make it too big an issue. My concern is people are ingraining habits out of anger toward the masters which will be hard to break when the slaves are freed.
1. Make it harder to steal. (Copy protecting CDs only keeps honest people honest. If its audible, it can be copied. No ammount of copy protection will keep that from happening.)
or
2. Make it more worth their while to buy. (More extras for the store-bought version, while offering just the music on a pay service like iTunes or Napster.)
The second option means less income for the RIAA for sure, but it sure as hell sweetens the deal for consumers.
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bash, are you even READING Tetrad's posts?bash wrote:Heh, try that next time you go eat at a restaurant. *Na, I didn't enjoy it quite as much as I hoped, here's half payment.* Consider for a moment the artists that entertain you. Write them a fan letter and let them know how much you've taken without paying for and let's see the sort of response you get. What do you think they would consider you, a *smart consumer* or a thief?
Tetrad wrote:The 150 CDs I meant CDs I've bought.
Tetrad wrote:But if you want to know music, I have about 205 albums on my computer, and about 150 CDs sitting in my corner.
Yes, if the math is correct (and tetrad's not lying) that's about 205 albums he didn't pay for. N'est pas? Evidently since these are albums he's kept, one can assume he deemed them worthy to keep (ie worthy of purchase) and yet his rationalization of try-before-buy is shown to be false since he apparently didn't purchase them. Add that to the hundreds of films/video he's admitted to downloading and tell me how I've misrepresented him.
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bash, you do realize that ripping CDs to your computer is possible.....right?bash wrote:Yes, if the math is correct (and tetrad's not lying) that's about 205 albums he didn't pay for. N'est pas? Evidently since these are albums he's kept, one can assume he deemed them worthy to keep (ie worthy of purchase) and yet his rationalization of try-before-buy is shown to be false since he apparently didn't purchase them. Add that to the hundreds of films/video he's admitted to downloading and tell me how I've misrepresented him.
Your reading skills are astounding bash. Furthermore, I ask you to read up on copyright law. See, if he downloads the contents of a CD to his computer, then later buys that CD, then those mp3s are LEGAL. Its called having a backup copy. Under copyright law, you're allowed to have 1 backup copy of any media you have purchased. The form of the backup is not specified.Tetrad wrote:Edit: Granted there is a small difference between CDs I own that I haven't ripped, and CDs I have, but I'm not going to sit here and itemize everything. Besides I have several albums I've download that I can't find on CD. Right now there are at least 3 CDs I want which Amazon doesn't carry.
edit: FURTHERMORE, trying before you buy isn't a crime. Ever heard of shareware?
MD: according to Bash, having an MP3 wether or not you own the CD before or after obtaining said MP3's constitute a lenghy jail sentence. It's quite clear that he's for what the RIAA is doing. sure he says he isn't but it doesn't take a rocket scientist to know he's bought into their bs and rooting for them.
Also, there's the new legal download system just starting out. I tried it myself and it needs a lot of work. once you lose your licenses the songs are useless. there's just too much uncertainty with that system. and I don't even know where my money's going.
Also, there's the new legal download system just starting out. I tried it myself and it needs a lot of work. once you lose your licenses the songs are useless. there's just too much uncertainty with that system. and I don't even know where my money's going.
What MD said. That number is closer to 50.bash wrote:Yes, if the math is correct (and tetrad's not lying) that's about 205 albums he didn't pay for.
Edit: and even though it probably doesn't make a damn bit of difference to you, all the CDs in my current playlist I either own, or can't find anywhere.
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Then by his own logic, he should be locked up in "pound me in the ass prison" as well since he openly admitted to "stealing" music.Ferno wrote:MD: according to Bash, having an MP3 wether or not you own the CD before or after obtaining said MP3's constitute a lenghy jail sentence. It's quite clear that he's for what the RIAA is doing. sure he says he isn't but it doesn't take a rocket scientist to know he's bought into their bs and rooting for them.
Ah, I perceived that as a rhetorical question in a manner to compliment yourself on the generosity of your friendship. Quite altruistic of you to give away what isn't yours to give. While I wouldn't use such terms and I'd play it for their appraisal, assuming they were in my car or visiting, and probably recommend it but I'd expect them to purchase their own copy, not copy mine. Was that really so pressing an inquiry that it warranted your above criticism that *you don't answer my questions*? Seems like you've hit bottom and started digging.